After a long time I watched 2 movies back to back--- Raat gayi, Baat Gayi? and 3 idiots… now am feeling compelled to write about them. It’s not a film review…I am not qualified to be a film critic (although as my friend Varun says, being a film critic is now the “in” thing, everybody with a blog is one!). I just want to write whether I got my money’s worth in those 6 hours that I spent in the theatre munching popcorn.
Everybody has some expectations when they go for a movie… my expectation is to be entertained by the audio visuals playing on the screen –be it through comedy, action, drama, romance, etc… as long as I feel that I didn’t waste my time, as long as I wish that I was rather doing something else, I wouldn’t dish a movie.
No No, I am not dishing either of the movies… both were good … I didn’t feel like I was wasting my time. Although one was a slice of life peppered with some smart observations and witty repartees, the other was larger than life with great locations. I remember Rajkumar Hirani’s munnabhai series and how I’d loved them and I was equally impressed with this one… he manages to take the simplest, everyday theme (loved the argument of the pen is space… many students do ask that including me) and turn it into a magnum opus with ease (barring the recent credit controversies). That’s what I call telling a story is (compared to a recent blockbuster that I saw that had everyone raving about which was to me only a techfest with all fancy special effects and nothing more).
However, I am a little concerned why the other movie Raat Gayi, Baat Gayi only had 6 other people in the theatre as compared to all the idiots who crammed up the entire auditorium for the other one. RGBG was also a story well told, however I guess, it was a niche idea…appealing only to those who lead such lives, there was nothing aspirational about any of the characters…nobody would have liked to be the suave and successful Rahul Kapoor (Rajat Kapoor), the wimpy, sleazy, cute Amit (Vinay Pathak), the discreet Saxsena (Dillip Tahil) juxtaposed with their respective wives housewife seeking her identity Mitali (Iravati Harshe), dealing with wayward husband Nandita (Anu Menon) or the resigned trying to fit in Jolly (Navneet Nishaan) or the catalyst amongst them all the mysterious, sexy, seductive Sophiya/Archana (Neha Dhupia). Although deep down, many would have identified themselves with atleast one of the characters, few would want to be known as one.
Both the stories were told using past and present tense, both the movies had good actors who did justice to the characters they were portraying, however one is successful and the other is not. And the only reason that I find is that where one holds up a mirror and shows the reality as it is, the other wraps up the mirror in layers of hope. Where both end with a positive and hopeful note, one does it subtlety the other with fanfare.
And that is the difference Mr. Bhagat, whereas your book was witty, cynical and concentrated on the lives of the protagonists; the movie was funny, hopeful and sent a message to all through the protagonist. Although, I don’t know if justifies the makers/producers of the movie to dole out credits at the beginning or at the end, it is purely their call, since IT IS their product.
However, two things which made me feel a bit cheated were the Sanskrit shloks about farting and the drive from Delhi to Leh…just for the fact that the very same shloks were popular during my salad days (I would have liked to see some new forms) and the drive to Manali to Leh is 20 hours backbreaking journey and having done that recently was a bit upset with the ease with which the 2 idiots found the 3 rd one without any altitude sickness!
The mixed feelings are completely not related to the movies or musings on the same… they are about my own self…which is so selfish that it would rather enjoy watching the movie instead of going back home to be in time for a bro, who is tired after a long vigil at the hospital to nurse a ten year olds battle against cancer. Is that the power that Mr. Hirani wove over me and millions of other audiences to get the cash registers on fire or is it my dysfunctional life that finds solace in celluloid than in real life?
No comments:
Post a Comment